![]() She might have left the palace in her teen years, because this is the first time everyone is seeing her as a grown-up. But if your product ends up getting too comfortable with the clichés, how are you planning to shape the redemption that is fresh? So, here is a daughter coming back to her father after years. Have as many stereotypical troops as you want, but the idea is to justify them with newness. Gaslight, written by Pavan Kirpalani and Neha Sharma (not the actor), walks on the same path that has been taken by many that came before it. ![]() What is the point of this genre is not that? The job of a filmmaker is to mend this blueprint in a way that surprises and shocks the audience. By now, we know what Clichés look like and how a stereotypical blueprint misleads and then throws the truth at you. Over the years, Whodunits have become a staple fodder for audiences who want to immerse in a two-hour-long quest. It’s community education, and one cannot think less of the other. ![]() ( Photo Credit – Still from Gaslight ) Gaslight Movie Review: Script AnalysisĪs Sriram Raghavan through Andhadhun rightly addressed, with the filmmakers evolving with their cinema, even the audience has also seen much. After a few spooky turns of events and her father in no sight, Meesha begins to smell foul play. On her arrival, she is welcomed by her stepmother, who has her motives. Meesha (Sara), an estranged daughter, returns to her King father after he writes a letter to her requesting a return.
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